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Michael Burden, 'Metastasio on the British Stage 1728-1840', Royal Musical Association Research Chronicle, xxxix (2007), whole issue.
—, 'Stage and Costume Designers Working at the Italian Opera in London: The Evidence of the Librettos 1710-1801', Theatre Notebook, 65/3 (2012), 126-140.
—, 'Printed interventions in eighteenth-century librettos for the performance of Italian opera in London: the roles of commas, inserts, and pasteovers', Script and print, 37/3 (2013), 133-58.
—, 'When Handel's Giulio Cesare was not Handel's Giulio Cesare', Musicorum, 14 (2013), 109-122.
—, 'Divas, arias, and acrimony; the revolving door of musical resources for London's Italian opera', in Revaluing Theatrical Heritage: Challenges and Opportunities, ed. Bruno Froment and Christel Stalpaert (Leuven: Leuven University Press, 2014).
—, 'From London's Opera House to the Salon?: The Favourite (and not so "Favourite") Songs from the King.s Theatre', in Beyond public and private: re-locating music in early modern England, ed. Linda Austern, Candace Bailey, and Amanda Eubanks Winkler.